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The Assistive Technology Corner, Technology Course offerings, Web Watch and Tips & Techniques. In addition, articles such as, cutting edge news in the education and technology arena, what is going on with technology in the West Hartford classroom and significant grant information will be highlighted. If you have anything you would like to share, please feel free to forward it to Denise Jaffe.

 
     
 The Art of Digital Storytelling ...
  By Judy Salpeter
  Feb 15, 2005 5:00 AM
  URL:
http://www.techlearning
 

 

   
"Digital storytelling takes the ancient art of oral storytelling and engages a palette of technical tools to weave personal tales using images, graphics, music, and sound mixed together with the author's own story voice."

Digital stories can be created with a variety of software available on West Hartford Public School Computers. KidPix for Grades K-2, KidWorks Deluxe for Grades 2-5, Powerpoint, HyperStudio, FlipAlbum and Pinnacle.
 
 
Good digital stories:

Are personal:
The creator of the digital presentation is in the story in a key way — as the narrator and sometimes also as the protagonist. While many digital storytelling projects feature third parties, the narrator is encouraged to personalize the tale, making it clear how the people or events in the story impacted his or her life.

Begin with the story/script:
In workshops by CDS, DigiTales, and others, participants are expected to narrow in on their story, writing and even recording their script before they ever begin digitizing images, importing sound effects, or using video editing tools. Jason Ohler, in an introduction to his soon-to-be-released book, Telling Your Story, points out that having students "create and tell stories before they [get] to use all the empowering and distracting technology at their disposal" is an important way to avoid "enabling the technophile at the expense of the story teller in...students."

Are concise:
Typically, a digital story will run from two to five minutes in length. This means tight editing and a very specific focus. In Scott County, Kentucky, Leslie Flanders and Jeanne Biddle explain to students that the goal is to narrow the story down to a single "nugget" — one central idea or message.

Use readily-available source materials:
Although camcorders might be used in the creation of a digital story, they are not essential. In fact, some consider them a distraction from the end product. Instead, many digital stories rely heavily on photographs, hand-drawn illustrations, and other scanned-in images, along with transition effects, to accompany the recorded narrative. The staff at CDS refer to the medium they teach as being like "PowerPoint on steroids." They have embraced this approach because it "puts the participant in the editing chair, with a minimal amount of preparation."

Include universal story elements:
Although proponents of digital storytelling describe and label these terms in a number of different ways, good stories — digital or not — include essential elements such as conflict, transformation, and closure. Furthermore, they are told in a way that allows the audience to, as Ohler puts it, "identify with them, remember them, and be changed by them."

Involve collaboration:
"Story circles," in which participants give and receive feedback on their stories and scripts, are an important part of many digital storytelling workshops. As Joe Lambert puts it, "Storytelling is meant to be a collaborative art. It is much more realistic this way, and much more fun."

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